Léon Krier Biography, Age, Height, Wife, Net Worth and Family

As of September 2022, Krier is designing plans for Poundbury Dorset, U.K. (1988–present); Paseo Cayalá, Guatemala City (2003–present); El Socorro and Nogales, two new urban quarters for Guatemala City (2018–present); and the redevelopment of the closed Fawley Waterside Power Station, Southampton, U.K. (2017–present), which gained outline planning permission in July 2020, with construction beginning in 2022 and the first homes expected to be available by 2024; as well as the masterplan for a new town, Herencia de Allende, near San Miguel de Allende, México (2018–present).

Krier has designed plans commissioned by public administrations, including the redevelopment of Tor Bella Monaca, a degraded suburb of Rome (2010), and a long-term redevelopment policy plan for the municipal area of Cattolica, Rimini, Italy (2017); he was able to apply similar principles to built developments such as Knokke, Heulebrug, Belgium (1998), completed without his direction; and in his masterplan for Newquay growth area (2002-2006), Cornwall, UK, continued after his resignation by Adam Associates.

In 1990, of the nine experts invited, he was the only one to support the Dresden citizens’ initiative to reconstruct the historic Dresden Frauenkirche and the Historische Neumarkt area and, in 2007, the Frankfurt Altstadt Forum, a citizen initiative which succeeded in reconstructing the historic “Hühnermarkt” area against strong professional and political opposition.

Krier summons up his criticisms and pinpoints concepts in the form of series of drawings and didactic annotated diagrams, often in his own handwriting, eventually collected in his book Drawings for Architecture, like the concept of Urban in his 1983 diagram of a truly urban town= RES PUBLICA+RES PRIVATE. There he conceives the basic urban fabric, made of private buildings and uses, as an object of vernacular local design and the exceptional public and institutional buildings as objects of classical architecture and located in privileged sites, on squares and in the focus of major vistas.

Krier acts as architectural consultant on his urban planning projects but only designs buildings of his personal choice. Amongst his best known realizations are the temporary façade at the 1980 Venice Biennale; the Krier house in the resort village of Seaside, Florida, USA (where he also advised on the masterplan); the Archaeological Museum of São Miguel de Odrinhas, Portugal; the Windsor Village Hall in Florida; the Jorge M. Perez Architecture Center, the University of Miami School of Architecture in Miami, Florida; and the new Neighbourhood Center Città Nuova in Alessandria, Italy.

The principle behind Krier’s writings has been to explain the rational foundations of architecture and the city, stating that “In the language of symbols, there can exist no misunderstanding”. That is to say, for Krier, buildings have a rational order and type: a house, a palace, a temple, a campanile, a church; but also a roof, a column, a window, etc., what he terms “nameable objects”. As projects get bigger, he goes on to argue, the buildings should not get bigger, but divide up; thus, for instance, in his unrealized scheme for a school in Saint-Quentin-en-Yvelines (1978), France, the school became a “city in miniature”.

Krier has applied his theories in large-scale, detailed plans for numerous cities in the Western world. These include the unrealized schemes for Kingston upon Hull (1977), Rome (1977), Luxembourg (1978) (which was his most comprehensive masterplan focusing on sprawl mitigation and town center repair), West Berlin (1977–83), Bremen (1978–1980), Stockholm (1981), Poing Nord, Munich (1983), a masterplan to be completed in the year 2000 for Washington D.C. (1984) commissioned by the Museum of Modern Art of New York; Atlantis, a neoclassical district for intellectuals and artists on Tenerife (1987); Area Fiat, Novoli (Florence), Italy (1993), Corbeanca, Romania (2007), and the High Malton Masterplan for the Fitzwilliam Estate, Yorkshire, England (2014).

He is best known for his masterplan for, and ongoing oversight of, the development of Poundbury, an urban extension to Dorchester, UK for the Duchy of Cornwall and Charles III; and for his masterplan for Paseo Cayalá, an extension of four new urban quarters for Guatemala City. From 1976–2016 Krier was a visiting professor at the Universities of Princeton, Yale, Virginia, Cornell and Notre Dame. From 1987–90 Krier was the first director of the SOMAI, the Skidmore, Owings & Merrill Architectural Institute, in Chicago. Since 1990, Krier has been industrial designer for Valli e Valli – Assa Abloy and Giorgetti, an Italian furniture company. In 2003 Krier became the inaugural Driehaus Architecture Prize laureate.

Krier abandoned his architectural studies at the University of Stuttgart, Germany, in 1968, after only one year, to work in the office of architect James Stirling in London, UK. After four years working for Stirling, interrupted by a two-year association with Josef Paul Kleihues in Berlin, Krier spent 20 years in England practicing and teaching at the Architectural Association and Royal College of Art. In this period, Krier’s statement: “I am an architect, because I don’t build”, became a famous expression of his uncompromising anti-modernist attitude. From the late 1970s onwards he has been one of the most influential modern traditional architects and planners. He is one of the first and most prominent critics of architectural modernism, mainly of its functional zoning and the ensuing suburbanism, campaigning for the renaissance of the traditional grown city model and its growth based on the polycentric city model.

Though Krier is well known for his defense of classical architecture and the reconstruction of traditional “European city” models, close scrutiny of his work in fact shows a shift from an early Modernist rationalist approach (project for University of Bielefeld, 1968) towards a vernacular and classical approach both formally and technologically. The project that marked a major turning point in his campaigning attitude towards the reconstruction of the traditional European city was his scheme (unrealized) for the ‘reconstruction’ of his home city of Luxembourg (1978), in response to the modernist redevelopment of the city. He later master planned Luxembourg’s new Cité Judiciaire that was to be architecturally designed by his brother (1990–2008).

Léon Krier CVO (born 7 April 1946) is a Luxembourgish architect, architectural theorist, and urban planner, a prominent critic of modernist architecture and advocate of New Classical architecture and New Urbanism. Krier combines an international architecture and planning practice with writing and teaching. He is well-known for his master plan for Poundbury, in Dorset, England. He is the younger brother of architect Rob Krier.