Archie Goodwin (comics) Biography, Age, Height, Wife, Net Worth and Family

He won the 1992 “Bob Clampett Humanitarian” Eisner Award, and was named Best Editor by the Eisners in 1993. In 1998 he was entered into the Eisner Hall of Fame. In 2008, he was one of two recipients of that year’s Bill Finger Award, which annually honors one living and one deceased comics creator. The award was presented July 25, 2008, during the 2008 Will Eisner Comic Industry Awards ceremony at Comic-Con International.

In 2007, Goodwin was inducted into the Oklahoma Cartoonists Hall of Fame in Pauls Valley, Oklahoma, located in the Toy and Action Figure Museum.

In The Batman Adventures — the first DC Comics spinoff of Batman: The Animated Series — Goodwin appears as Mr. Nice, a super-strong but childishly-innocent super-villain. He is one of a screwball trio of incompetent super-villains that includes The Mastermind (a caricature of Mike Carlin) and The Perfessor (a caricature of Dennis O’Neil). Batman: Gotham Adventures #13 (June 1999) features the last appearance of the characters with Mr. Nice leaving the group to fulfill a prophecy, with the issue being dedicated to Archie Goodwin.

Goodwin died of cancer on March 1, 1998, after battling the disease for 10 years.

Goodwin was similarly honored in 1998, being posthumously named to the National Comics Award Roll of Honour.

Among Goodwin’s most notable last editorial projects were Starman, written by James Robinson and first published by DC in 1994 and DC’s Batman: The Long Halloween by Tim Sale and Jeph Loeb. Loeb and Sale’s first work on Batman appeared in Batman: Legends of the Dark Knight Halloween Special #1 (Dec. 1993) edited by Goodwin. It is a testament to Goodwin that Loeb has said that Goodwin inspired their portrayal of Gotham police chief Jim Gordon in The Long Halloween and its sequel Batman: Dark Victory, while Robinson (who considered Goodwin both a mentor and close personal friend), continued to list Goodwin as a “Guiding Light” on later issues of Starman published after Goodwin’s death. Goodwin edited Batman: Legends of the Dark Knight and Azrael. Goodwin’s Creepy work is cited by editor Mark Chiarello as informing the creation of the Batman: Black & White series.

Goodwin returned to DC Comics as an editor and writer in 1989. He wrote the graphic novel Batman: Night Cries painted by Scott Hampton and published in 1992. Throughout the 1990s, Goodwin edited a number of Batman projects, including the Elseworlds miniseries Batman: Thrillkiller, and the Alan Grant-written/Kevin O’Neill-illustrated parody one-shot Batman: Mitefall, a take-off of the “Knightfall” saga, filtered through the character of Bat-Mite. Armageddon 2001 was a 1991 crossover event storyline. It ran through a self-titled, two issue limited series and most of the annuals DC published that year from May through October. Each participating annual explored potential possible futures for its main characters. The series was written by Goodwin and Dennis O’Neil and drawn by Dan Jurgens.

Goodwin was at the time still working for Marvel as a writer, and Shooter recalls concocting a plan whereby the company “pretended that Archie reported to Stan. In fact, I was doing all the paperwork and all the employee reviews and the budgets” so that Goodwin could have the illusion of not working for his successor. In the autumn of 1979, Marschall was fired and Goodwin hired as Epic’s editor.

In 1976, Goodwin replaced Gerry Conway to become the eighth editor-in-chief of Marvel Comics, with the understanding that it would only be temporary until a permanent replacement could be found. He ultimately resigned at the end of 1977 and was replaced by Jim Shooter. While Goodwin was editor-in-chief, Marvel secured the rights to publish the Star Wars film’s comic adaptation and tie-in series, which then sold phenomenally well (helped by a dearth of other Star Wars merchandise at the time) at a point when the comics industry was in severe decline. Goodwin recalled about the Star Wars comic book, “That really worked … but I can’t take any credit for it. Roy Thomas is the one who brought it to Marvel, and he had to push a little bit to get them to do it.” He followed Thomas in adapting the Star Wars characters into an ongoing comic book with artist Carmine Infantino, as well as continuing the story (pre-Return of the Jedi) in a daily comic strip. Goodwin wrote the strips under his own name, although many websites and other sources erroneously claim he used the pseudonyms R.S. Helm and Russ Helm. Writer Mark Evanier corrected the matter by stating “Archie did write the Star Wars comic strip (as well as other Star Wars material) but only under his own name. Russ Helm was a completely different person writing under his own name.” During Goodwin and Infantino’s tenure on Marvel’s Star Wars series, it was one of the industry’s top selling titles. He wrote comic book adaptations for Marvel of the two Star Wars sequels as well as other science-fiction films such as Close Encounters of the Third Kind and Blade Runner. In 1979, Goodwin wrote an adaptation of the first Alien movie named Alien: The Illustrated Story which was drawn by Walt Simonson and published by Heavy Metal.

Goodwin’s work won him a good deal of recognition in the industry, including both the 1973 Shazam Award for Best Writer (Dramatic Division), and the 1974 Shazam Award for Best Writer (Dramatic Division) for the Manhunter series running in Detective Comics #437–443. In the same years, he also won Shazam Awards for Best Individual Short Story for “The Himalayan Incident” in Detective Comics #437 and for “Cathedral Perilous” in Detective Comics #441. In 1974, he also won Best Individual Feature-Length Story for “Götterdämmerung” in Detective Comics #443. All story awards were shared with Walt Simonson for Manhunter episodes). Goodwin’s work on Manhunter, in which he both updated an obscure Golden Age hero, and, in the series’ last episode, took the daring approach of killing him off (one of the few comic book deaths that has actually “taken” and not been reversed or retconned away in the decades since it occurred) is very well regarded by both fans and other comics professionals.

Luke Cage, the first African American superhero to star in an eponymous Marvel comic book series, was created by Goodwin and artist John Romita Sr. in June 1972. While briefly writing The Tomb of Dracula series, Goodwin and artist Gene Colan introduced the supporting character Rachel van Helsing. Goodwin co-created (with Marie Severin) the first Spider-Woman, as well as writing her first appearance in Marvel Spotlight #32 (February 1977).

Goodwin worked briefly for DC Comics during the 1970s, where he edited the war comics G.I. Combat, Our Fighting Forces, and Star Spangled War Stories, and replaced Julius Schwartz as editor of Detective Comics for one year. Goodwin’s collaboration with Walt Simonson on the “Manhunter” back-up feature in Detective Comics won several awards. Goodwin also wrote the Batman lead feature in Detective Comics, where his collaborators included artists Jim Aparo, Sal Amendola, Howard Chaykin, and Alex Toth.

Goodwin first worked for Marvel Comics in 1968 and was the original writer on the Iron Man series which launched that year. According to Goodwin, when he entered editor Stan Lee’s office to apply for a job with Marvel, Lee was in the middle of writing an Iron Man story and handed him photostats of the pages he was working on for his writer’s test. Goodwin speculated, “I assume if he had been working on Sgt. Fury, I’d have been writing Sgt. Fury. Thank God he wasn’t writing Millie the Model when I walked in.” Goodwin and artist George Tuska co-created the supervillain the Controller in Iron Man #12 (April 1969).

After his departure from Warren in 1967, Goodwin would occasionally contribute stories over the next 15 years and even returned for a short stint as editor in 1974.

From 1967 to 1980, Goodwin wrote scripts for King Features Syndicate, including the daily strip Secret Agent X-9, drawn by Al Williamson, as well as working on other strips including Captain Kate. His experience ghost writing Dan Flagg inspired “The Success Story” (drawn by Williamson, who had ghosted on Flagg) for Creepy #1 (1964), famed among comic strip fans for its EC style dark humor in depicting a creator whose only contribution to the strip that made him rich was his signature.

His first story written before he went into the Army was drawn by Al Williamson and Roy Krenkel and published in 1962 just after his discharge from the Army. He was never on staff at Harvey Comics. By 1964 he was the main script writer for Warren’s Creepy magazine. Much of his work there, according to Batman editor Mark Chiarello, was a “homage to the favorite comics of his youth, the E.C. line.” By the second issue he was co-credited (alongside Russ Jones) as editor, and soon became editor of the entire Warren line: Creepy, Eerie and Blazing Combat. He worked for Warren between 1964 and 1967, as head writer and Editor-in-Chief, in which roles he is credited with providing a mythology for Warren’s classic Vampirella character, as well as penning her most compelling stories.

Archie Goodwin’s first prose story was published by Ellery Queen’s Mystery Magazine, which warned him he could not use Archie Goodwin as a pen name because it was a Rex Stout character in the Nero Wolfe books. According to Goodwin’s wife Anne T. Murphy, the magazine’s editors “then were so delighted when he wrote back to say that it was his real name that they used the anecdote as the introduction to the story, which ran in the July 1962 issue.”

Archie Goodwin (September 8, 1937 – March 1, 1998) was an American comic book writer, editor, and artist. He worked on a number of comic strips in addition to comic books, and is best known for his Warren and Marvel Comics work. For Warren he was chief writer and editor of landmark horror anthology titles Creepy and Eerie between 1964 and 1967. At Marvel, he served as the company’s editor-in-chief from 1976 to the end of 1977. In the 1980s, he edited the publisher’s anthology magazine Epic Illustrated and its Epic Comics imprint. He is also known for his work on Star Wars in both comic books and newspaper strips. He is regularly cited as the “best-loved comic book editor, ever.”