Donald “Duck” Dunn Biography, Age, Height, Wife, Net Worth and Family

In 2017 Dunn was posthumously awarded a Lifetime Achievement Award by Bass Player Magazine for his contributions to “the art, craft, and profession of bass playing.”

On the morning of May 13, 2012, Dunn died in his sleep at age 70 after finishing his fifth double show at the Blue Note nightclub in Tokyo with Cropper the night before. He had been in Japan as part of an ongoing tour with Cropper and Eddie Floyd.

In 2008, Dunn worked with the Australian soul singer Guy Sebastian touring for The Memphis Album. Dunn and Cropper arrived in Australia on February 20, 2008, to be Sebastian’s backing band for an 18-date concert tour, the Memphis Tour.

Dunn is credited with performing on a version of the standard “I Ain’t Got Nobody” with Jones, Cropper and Michel Gondry in Gondry’s 2008 film Be Kind Rewind.

In 2007 Dunn and members of Booker T. & the MG’s (Booker T. Jones, Steve Cropper and Lewie Steinberg), along with Barbara Jackson, the widow of Al Jackson, Jr., were given a Lifetime Achievement Grammy award for their contributions to popular music.

In June 2004, Dunn, Cropper, and Jones served as the house band for Eric Clapton’s Crossroads Guitar Festival. The group backed such guitarists as Joe Walsh and David Hidalgo on the main stage at the Cotton Bowl in Dallas, Texas.

In the 2000s, Dunn was in semi-retirement, although he still performed occasionally with Booker T. & the MG’s at clubs and music festivals.

In 1998, Dunn collaborated with Fender to produce a signature Precision Bass: a candy apple red model based on the late 1950s style, with a gold anodized pickguard, split coil humbucking pickup, maple neck, and vintage hardware. The instrument never caught on with the buying public, and it was offered only for a brief time. The Dunn family has serial numbers XXX001, XXX002, and XXX003 in their collection. #002 is currently on display at the Hard Rock Cafe in Orlando, Florida.

In 1992, Dunn was inducted into the Rock and Roll Hall of Fame as a member of Booker T. & the MG’s.

Dunn went on to play for Muddy Waters, Freddie King, Jerry Lee Lewis, Eric Clapton, Paul Butterfield, Mike Bloomfield, and Rod Stewart. He was the featured bass player on the single “Stop Draggin’ My Heart Around”, by Stevie Nicks and Tom Petty, from Nicks’s debut solo album Bella Donna (1981), and on other tracks by Petty between 1976 and 1981. He reunited with Cropper as a member of Levon Helm’s RCO All Stars and also displayed his quirky Southern humor making two movies with Cropper, former Stax drummer Willie Hall, and Dan Aykroyd, as a member of the Blues Brothers band. Dunn was the bassist in Eric Clapton’s band for Clapton’s appearance at Live Aid in 1985.

Dunn played himself in the 1980 feature The Blues Brothers, where he famously uttered the line, “We had a band powerful enough to turn goat piss into gasoline!” and was frequently shown smoking a pipe while playing. He appeared in the 1998 sequel, Blues Brothers 2000, once again playing himself. Dunn & the MGs were the house band for Bob Dylan’s concert celebrating Dylan’s 30th anniversary in the music business at Madison Square Garden playing behind Dylan, George Harrison, Eric Clapton, Tom Petty, Stevie Wonder, Sinéad O’Connor, Eddie Vedder, and Neil Young, who recruited the MGs to tour with him and recorded with Dunn several times since.

In 1980, with the popular Blues Brothers Band touring regularly, Fender gave Dunn a new bass to try, the company’s first active electronics equipped model, the Precision Bass Special. His bass (serial number E0xx009) was finished in his favorite color, Candy Apple Red, with a matching headstock, and featured a one-piece maple neck, and gold hardware. He played this bass briefly, before gifting it to a friend.

In the mid-1980s, after nearly three decades, Dunn switched from Fender instruments, and became an endorser for Mississippi-based Peavey. He played their “Dyna Bass” model – finished in his favorite red – on stage and in the studio for a number of years. Over the decades, he was given various basses by friends and admirers, which included models by Travis Bean, Rickenbacker, Gibson, custom builders, and others, but his everyday instrument was always his Precision.

As an instrumental group, they continued to experiment with the album McLemore Avenue (their reworking of the Beatles’ Abbey Road) and on their final album, Melting Pot (1971), which featured basslines that to this day serve as a source of inspiration for hip-hop artists. In the 1970s, Jones and Cropper left Stax, but Dunn and Jackson stayed with the label. Dunn worked with Elvis Presley on his 1973 RCA Album Raised on Rock.

In 1971, when the rhythm guitarist Tom Fogerty left Creedence Clearwater Revival (CCR), the remaining members discussed with Dunn the possibility of his joining the group, with their current bassist, Stu Cook, moving to guitar. Booker T. and the MG’s had performed in concert and jammed in the studio with CCR in the past, and Dunn in particular had become friends with the band members. However, CCR ultimately decided to remain a trio from then on.

While filming The Blues Brothers, Dunn used a sunburst early ’70s Fender Precision bass with a rosewood fretboard and a “tortoiseshell” pickguard. He also used a red 1966 Precision in some of the scenes; a bass stamped “Demo” on the back, which was later fitted with a late ’60s Jazz Bass neck. It was a combination that was popular with other top-level players, including Carl Radle, and Billy Cox. This “Jazzision” became the basis for a Lakland Skyline Series signature bass made by the Chicago bass company Lakland nearly 20 years later.

Booker T. and the M.G.’s was founded by Cropper and Booker T. Jones in 1962, with the drummer Al Jackson, Jr. The original bassist, on early hits such as “Green Onions”, was Lewie Steinberg; Dunn replaced him in 1965.

Cropper has noted how the self-taught Dunn started out playing along with records, filling in what he thought should be there. “That’s why Duck Dunn’s bass lines are very unique,” Cropper said, “They’re not locked into somebody’s schoolbook somewhere”. Axton’s mother, Estelle, and her brother Jim Stewart owned Satellite Records and signed the band, who had a national hit with “Last Night” in 1961 under their new name, the “Mar-Keys”.

When Dunn was 16, he bought his first bass guitar, a Kay 162 electric bass. About a year later, he acquired his first Fender Precision Bass, with sunburst body, rosewood neck, and gold anodized pickguard. He would lose this bass when Otis Redding and members of the Bar-Kays were killed in a plane crash, and the bass was on loan to bassist James Alexander. Dunn’s second Fender bass was a 1959 Fender Precision Bass, with sunburst body, one-piece maple neck and gold anodized pickguard; an instrument he owned until his death. Throughout his life, Dunn believed this was a 1958 model, but after his death, his son Jeff had work done on the bass, and the neck was inscribed “4-59,” putting the date definitively as 1959. During the 1960s, he used a nearly identical 1959 model, but it was outfitted with a rosewood fretboard. He was an avid user of thick La Bella flatwound strings, as was James Jamerson.

Donald “Duck” Dunn (November 24, 1941 – May 13, 2012) was an American bass guitarist, session musician, record producer, and songwriter. Dunn was notable for his 1960s recordings with Booker T. & the M.G.’s and as a session bassist for Stax Records. At Stax, Dunn played on thousands of records, including hits by Otis Redding, Sam & Dave, Rufus Thomas, Carla Thomas, William Bell, Eddie Floyd, Johnnie Taylor, Albert King, Bill Withers, Elvis Presley and many others. In 1992, he was inducted in the Rock and Roll Hall of Fame as a member of Booker T. & the M.G.’s. He is ranked number 40 on Bass Player magazine’s list of “The 100 Greatest Bass Players of All Time”.