Marta Permuy Biography, Age, Height, Wife, Net Worth and Family

In 2022, several events marked the 50th anniversary of the launch of Permuy Gallery as well as the fifth anniversary of her death. On August 24th, Coral Gables Mayor Vince Lago and the City Commission presented a City Proclamation declaring her birthday of September 22nd as “Marta T. Permuy Day” in Coral Gables in honor of her cultural impact. On September 20th, Congresswoman Maria Elvira Salazar (FL-27) delivered a Statement into the Congressional Record of the United States Congress titled “Honoring the Life of Marta Permuy,” to recognize her activism and legacy. On November 16th, the Coral Gables Historical Preservation Board voted unanimously to designate the former site of Permuy Gallery as a Coral Gables landmark due to its Cultural Historical significance in recognition of the art and cultural associations linked to property, particularly the contributions of Permuy Gallery and the art careers of Miguel Jorge and Marta Permuy.

In a May 2022 interview, Ricardo Pau-Llosa spoke of Permuy Gallery’s legacy and impact, crediting it as “the first pioneer gallery of what would later become a Coral Gables signature: the hub of Latin American art,” as well as “the beginning of, and proposed the idea of […] Miami as ‘the bi-hemispheric city’ — where North American, European, Latin American, and African art converged on equal footing.”

In 2021, The Permuy House was designated a landmark of the City of Coral Gables and included on the Coral Gables Registry of Historic Places on cultural and historic grounds due to its close association with Marta Permuy’s career as the main base of her art activities for over forty years. In its Landmark Designation Report for the property, the Coral Gables Historic Resources & Cultural Arts Department stated “Marta played a pivotal role in supporting […] launching and sustaining Cuban artists. The home is a touchstone to aid us in remembering and honoring her efforts.” The designation was subsequently covered by Coral Gables News where it was featured as the front-page story of that issue. The City of Coral Gables also issued an official press release outlining the significance of the Permuy House through the cultural contributions of Marta and Jesús Permuy. Following its landmark designation, the home was used to showcase the city’s historic preservation program and published on Gables Insider as well as the City of Coral Gables eNews “Preserving Our History” segment.

In addition to her institutional role as an early Latin American art gallerist and art dealer, Permuy was distinct for her humanistic patronage philosophy and practices. This included supporting struggling and emerging artists by offering them rooms in the Permuy House as space to paint when they did not have access to art studios, as well as lowering or waiving her commission fees from art sales in order to give maximal proceeds to artists. In her book Cuban-American Art in Miami, Bosch wrote “Permuy’s home provided a place of refuge where they could find an intellectual climate that eased their emotional, psychological and cultural thirst.” In 2020 Marcos Pinedo, owner of the Pinedo Collection, stated “Marta was an amazing and very intelligent, knowledgeable person. She […] always helped others however she could.” The Permuy Gallery’s Friday gallery nights have been credited with setting the original precedent for the ongoing Gables Gallery Night tradition in the city (now held on the first Friday of each month), as well as for helping to initiate Coral Gables’ rise as a major hub of Latin American art galleries in the United States by the 1980s.

Beginning in 2018, a year following her death, the Coral Gables-based firm Permuy Architecture, led by Marta’s eldest son Ignacio Permuy, began hosting annual “Art + Architecture” exhibitions in honor of the legacy of Permuy Gallery and its impact on the arts of South Florida. These exhibitions have featured works by several prominent Permuy Gallery-affiliated artists Marta remained close to, including Rafael Consuegra, Falero, Baruj Salinas, and Jose Mijares.

Marta Permuy died on October 4, 2017, in Coral Gables. Her memorial mass, held in Coral Gables’ Church of the Little Flower, included several high-profile South Florida art and community figures, including Emilio Falero, Marcos and Josefina Pinedo. The ceremony was presided by Guillermo García-Tuñón S.J, President of Belen Jesuit and a Director of the Agrupación Católica Universitaria, and her eulogy was delivered by her son Pedro Pablo Permuy.

Following her death, Permuy’s impact on South Florida art and Cuban exile art had been recognized by several prominent individuals and organizations. In 2017, longtime South Florida Congresswoman Ileana Ros-Lehtinen (FL-27) released a statement across her social media platforms stating that Permuy “bravely fought Castro and was a key figure in Miami Cuban Art” in reference to her work in the Castro resistance during the Cuban Revolution as well as her career in the arts in South Florida. The following year Cuban art scholar and historian Lynette Bosch stated “That early art world could not have happened without them (Marta and Jesús Permuy).”

Through her later years, Permuy continued to support emerging artists of the 2000s, including Carlos Navarro, Ramon Unzueta, Josevelio Rodriguez, and Carlos Acostaneyra. The home was designated a Coral Gables landmark in 2021 for its cultural-historical significance.

Marta Cazañas Permuy was born into several prominent Cuban families. Her mother, Raquel M. Díaz y Teresa de Cazañas, was born in San Jose de los Ramos and was the daughter of José Lorenzo Díaz, member of the Cuban judiciary. Her family was also known regionally for financing the construction of a church in the greater Colón area to replace a small chapel that had served as the community religious gathering place. Marta cared for her mother at the Permuy House during her final years. Raquel died in 1992.

The Permuy Gallery and Marta Permuy’s broader work in the arts has been covered by several publications including Latin American art journal Resumen, the Arts Coast Journal and Coral Gables News, as well as in books such as Outside Cuba: Contemporary Cuban Visual Artists, (1989) Breaking Barriers, (1997) and Cuban-American Art in Miami: Exile, Identity, and the Neo-Baroque (2004) where she was included among the founders of Miami’s Cuban art community.

Through the 1980s Marta fully relaunched her art career, now using the Permuy House as her base of activities. She would continue hosting her long-running salon gatherings, hold events and private art exhibitions, and maintain a schedule of regular weekly social gatherings with artists, such as Perkins and Mijares, and collectors. Permuy would also represent several of the artists featured in Permuy Gallery, such as Lourdes Gomez Franca, Perkins, and McAllister, as well as support new artists. Her activities at the Permuy House were cited as a key locale for the arts in Miami in the book Cuban-American Art in Miami: Exile, Identity and the Neo-Baroque.

In 1976 the Permuys purchased a historic Mediterranean Revival-styled residence in Coral Gables. Built adjacent to the Biltmore Hotel and Golf Course during the early Merrick era of the city’s founding, the property was noted for being designed by Alfred F. Schimek and featuring an extension by Alfred Browning Parker. The home would come to be known as the Permuy House for its association with Marta Permuy’s art activities there.

During the Permuy Gallery period the Permuys were also involved in other ventures in design and community development that were connected to their network at the gallery. In 1973 they launched the firm Permuy & Associates Inc. which would be one of Jesus Permuy’s main private sector architecture, urban planning, development and consulting practices. Marta served as the firm’s first Vice President while its attorney and registered agent was prominent art collector and future Coral Gables Mayor Raul Valdes-Fauli.

She was also an influential advisor to Marcos Pinedo, helping him build the prestigious Pinedo Collection. Pinedo and his now-wife Josefina had their first date at Permuy Gallery in August 1973, where Pinedo first met Permuy and she began connecting him to her network of artists. With Permuy’s guidance Pinedo became a leading South Florida art collector in the 1980s and 1990s as well as a patron of the arts supporting institutions such as the Museum of Art Fort Lauderdale and Florida National University.

By the early 1970s the Permuys had become active in the early Cuban art community of South Florida. Their initial involvement came through Jesús Permuy’s previous relationships with artists in Cuba such as José Mijares and Amelia Peláez, as well and through his professional work as several Cuban artists also worked in or studied architecture, including Baruj Salinas, Miguel Jorge, and Rafael Consuegra. Another important cultural circuit was his involvement in the ACU, which had now relocated to Miami and included several artists, architects, and business leaders. Throughout the 1960s the Cuban arts community in exile struggled with a multitude of issues including a lack of institutional venues to showcase Cuban art, as well as a lack of disposable income among collectors to buy artworks at prices that would support a sustained Cuban and Latin American art market.

Notable participants in Marta’s activities in Permuy Gallery included then-Miami mayor Maurice Ferre, Cuban art critic and poet Mauricio Fernández, future curator and scholar Ricardo Pau-Llosa, as well as Latin American art collector and patron Marcos Pinedo and his future wife Josefina Camacho. While the Permuy Gallery was noteworthy as a historic venture early in the establishment of Latin American art in South Florida, by the end of its run there would be other Cuban and Latin American focused art galleries that began to emerge. By the late 1970s and early 1980s a thriving gallery scene of several Cuban art galleries was established around the hub of Coral Gables and other growing pockets in the region which had allowed for a viable and sustained Latin American art market to flourish in South Florida in the ensuing decades.

The late 1970s and early 1980s marked a tumultuous period in Permuy’s life. By 1977 Permuy Gallery had closed while the family relocated to the Permuy House and Marta prioritized raising her children. In 1978 her father, Pedro Pablo Cazañas, died in Miami. In 1981 Jesús and Marta would divorce.

In 1969 the Permuys were introduced to Juan González by Baruj Salinas. In 1972 González graduated from the University of Miami and was preparing to relocate to New York City after successful exhibitions in the Whitney Museum and Allan Stone Gallery. As a result of his need to move, the Permuys then made arrangements with González to assume his lease to a Coral Gables apartment space that he had used as his art studio and convert it into a fine art gallery dedicated to Cuban art, becoming one of the first in the United States. The property, located at 1901 Le Jeune Road, was in close proximity to Miracle Mile, the prominent center of downtown Coral Gables. González remained close to Marta after his move to New York and occasionally participated in group exhibitions at Permuy Gallery. The gallery neighbored the apartment of Cuban artist Miguel Jorge, who was close to fellow Cuban artists Lourdes Gomez Franca and Dionisio Perkins, and introduced them to the Permuys. The three formed an influential group of artists in South Florida who were highly active within the Permuy Gallery’s sphere.

Marta’s brother, Eduardo Enrique Cazañas Díaz, was the first in their family to arrive in the United States in 1959, settling in Florida and then Rhode Island. As the Vietnam War escalated through the 1960s, he voluntarily enlisted in the United States Army with the rank of SP-4, an Armor Reconnaissance Specialist. He died in combat on January 7, 1967, at the age of 22. As a Cuban immigrant and son of Pedro Pablo Cazañas, his death was covered in English and Spanish media including the Diario Las Americas. He posthumously received the Purple Heart for his actions and is included in the Vietnam Veterans Memorial in Washington D.C. While raising her children, Marta would organize annual Memorial Day family trips to his memorial in Fort Lauderdale, Florida.

Marta and Jesús married in 1962 soon after resettling in Miami, Florida. They later relocated to Washington D.C. in 1966 where Jesús Permuy received his Master in Regional and City Planning (MRCP) from the Catholic University of America and served as chief planner for Anne Arundel County. The Permuy family then returned permanently to South Florida in 1969 when Jesús Permuy was appointed Planning Supervisor for the Dade County Department of Housing and Urban Development (HUD).

With the failure of the Bay of Pigs invasion in April 1961 and Castro’s subsequent waves of opposition crackdowns, arrests, and executions, it became evident to many in the resistance that there was little chance of success in toppling the Castro regime or securing democratic protections. Marta and Jesús then used diplomatic contacts to escape for Venezuela in 1962 by way of Cuba’s Venezuelan embassy. They remained in Venezuela for several months before relocating to the United States later that year to join the Cuban diaspora community there in exile.

As her involvement with the MRR deepened, Marta became among the few women given central roles in the organization’s leadership and would also recruit other key operatives. As such, Marta’s older sister Raquel and her husband, prominent psychiatrist and pro-democracy revolutionary René de la Huerta, also became involved. De la Huerta, a top member of the ACU, had previously been involved in efforts to oust Fulgencio Batista with Jorge Agostini and other anti-Batista figures. They would play an increasing influential role in the organization during the lead-up to the Bay of Pigs invasion and planning. In 1960 De La Huerta became Secretary of Intelligence of the MRR and Marta would often stay in his El Vedado residence with her sister during her MRR missions while the home served as an important covert MRR leadership base.

Marta Cazañas Permuy (September 22, 1938 – October 4, 2017) was a Cuban-American fine art patron, art collector, curator, art dealer, and promoter based in Coral Gables, Florida. She was an influential figure in the establishment of the Latin American art market of South Florida. She managed and co-founded Permuy Gallery, one of the first venues dedicated to Cuban art in the United States. She also hosted a long-running art salon where South Florida art, literary, business, and political figures would gather to discuss art and culture.

Marta Teresita Cazañas y Díaz was born on September 22, 1938, in Havana, the second child of Cuban judge Pedro Pablo Cazañas and his wife, Raquel María Díaz y Teresa. Her parents were of prominent Matanzas-area families. Marta and her siblings, Raquel and Eduardo, would be raised on the Cazañas family’s Buena Vista estate in Cárdenas bordering Varadero.

Marta was sister-in-law to noted psychiatrist, author, and Agrupación Católica Universitaria leader René de la Huerta (1920-2003) by way of his marriage to her older sister Raquel. As such Marta is aunt to author and spiritual leader Christian de la Huerta, their son.