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Richard Wright (musician) (Richard William Wright) was born on 28 July, 1943 in Hatch End, Middlesex, England, is a musician. Discover Richard Wright (musician)’s Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 65 years old?
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Richard Wright (musician) Height, Weight & Measurements
At 65 years old, Richard Wright (musician) height not available right now. We will update Richard Wright (musician)’s Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don’t have much information about He’s past relationship and any previous engaged. According to our Database, He has no children.
Richard Wright (musician) Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Richard Wright (musician) worth at the age of 65 years old? Richard Wright (musician)’s income source is mostly from being a successful musician. He is from . We have estimated
Richard Wright (musician)’s net worth
, money, salary, income, and assets.
|Net Worth in 2023||$1 Million – $5 Million|
|Salary in 2023||Under Review|
|Net Worth in 2022||Pending|
|Salary in 2022||Under Review|
|Source of Income||musician|
Richard Wright (musician) Social Network
Eight days after Wright’s death, Gilmour performed “Remember a Day”, a Wright composition from Pink Floyd’s second album, A Saucerful of Secrets, on a live broadcast of Later… with Jools Holland on BBC Two as a tribute to Wright. Gilmour said that Wright had intended to perform with him that day, but had not been well enough. David Gilmour also dedicated his song “A Boat Lies Waiting” from his 2015 album Rattle That Lock in Wright’s memory. The song features Wright’s voice sample. The lyrics define Gilmour’s sadness on his demise and revolves around mortality and Wright’s love for the sea.
Wright’s last Floyd appearance was posthumously on 2014’s The Endless River. The album contained mostly instrumental music recorded during the Division Bell sessions in 1993–94, along with new music recorded between 2010 and 2014. Mason said that unreleased sessions Wright recorded for Gilmour’s solo projects may appear on Gilmour’s future solo albums.
Before Wright died in 2008, he went to British Grove Studios to re-record a missing piano part from “Shine on You Crazy Diamond”. This was found to be missing by James Guthrie, who was remixing the Wish You Were Here album for an SACD release.
Wright died from lung cancer at his home in London on 15 September 2008, aged 65. At the time of his death, he had been working on a new solo album, thought to comprise a series of instrumental pieces.
Wright’s final vocal performance took place at the Syd Barrett tribute concert “Madcap’s Last Laugh” at The Barbican in London on 10 May 2007. It was organised by Joe Boyd in memory of Barrett, who had died the previous July. The first half featured a Roger Waters solo performance, while the second half concluded with Wright, alongside David Gilmour and Nick Mason, performing “Arnold Layne”. His final live performance was as part of Gilmour’s band at the premiere of Gilmour’s concert DVD Remember That Night on 6 September 2007 at the Odeon Leicester Square, London. After an edited version of the film had been shown, the band took to the stage to jam.
In 2006, Wright joined Gilmour and Mason for the official screening of the P•U•L•S•E DVD. Inevitably, Live 8 surfaced as a subject in an interview. When asked about performing again, Wright replied he would be happy on stage anywhere. He explained that his plan was to “meander” along and play live whenever Gilmour required his services. The same year, he co-wrote the Helen Boulding B-side, “Hazel Eyes”, with Chris Difford.
On 2 July 2005, Wright, Gilmour and Mason were joined by Waters on stage for the first time since the Wall concerts for a short set at the Live 8 concert in London. This was the last time that all four members performed together. Wright underwent eye surgery for cataracts in November 2005, preventing him from attending Floyd’s induction into the UK Music Hall of Fame.
Wright played at several of Gilmour’s solo shows in 2002, contributing keyboards and vocals, including his own composition “Breakthrough”. In 2006, he became a regular member of Gilmour’s touring band along with former Floyd sidemen Jon Carin, Dick Parry and Guy Pratt. He contributed keyboards and background vocals to Gilmour’s solo album, On an Island, and performed live in Europe and North America that year. On stage with Gilmour he played keyboards, including a revival of the Farfisa organ for “Echoes”. Wright sang lead on “Arnold Layne”, which was released as a live single. He declined an offer to join Waters and Mason on The Dark Side of the Moon Live tour to spend more time working on a solo project.
In 1999, Pink Floyd touring keyboardist Jon Carin joined with Wright’s wife to bring Wright and Waters back together after some 18 years apart; the two men met backstage after a tour date by Waters.
In 1996, inspired by his successful input into The Division Bell, Wright released his second solo album, Broken China, which had been co-written with lyricist Anthony Moore of Slapp Happy, who also helped with production and engineering. The album covers the theme of depression and helped Wright come to terms with seeing his wife and friends affected by it. Musical contributions came from bassist Pino Palladino, drummer Manu Katché and guitarist Dominic Miller (both known for their work with Sting) and guitarist Tim Renwick (another Floyd associate). David Gilmour contributed a guitar part for “Breakthrough” but his performance didn’t make the final mix of the album. Wright considered taking the album on tour, but concluded it wouldn’t be financially viable. Sinéad O’Connor sang lead vocals on two tracks, “Reaching for the Rail” and “Breakthrough”, with Wright singing the remainder.
By 1994, he had legally rejoined Pink Floyd. In 2000 he said: “I am a full member, but contractually I am not on a par with Dave and Nick.” He co-wrote five songs and sang lead vocals on “Wearing the Inside Out” for The Division Bell. This was followed by the double live album and video Pulse in 1995. Wright, like Mason, performed on every Floyd tour.
From the 1987 Momentary Lapse of Reason tour onwards, Wright and touring keyboardist Jon Carin favoured Kurzweil digital synthesisers, including the K2000 keyboard and K2000S rack module for reproducing piano and electric piano sounds. Wright retained the Hammond along with a Leslie speaker, playing it onstage and using it during the Division Bell sessions.
After Waters’ departure in 1985, Wright began to contribute to Pink Floyd again, beginning with sessions for A Momentary Lapse of Reason. However, he did not legally rejoin, and was a salaried musician for the resulting tour, as his contract said he could not rejoin as a “full member”. On the album credits, his name was listed amongst the other session musicians, and his photo did not appear on the inner sleeve along with Gilmour and Mason.
During 1983–1984, Wright formed a new musical duo called Zee with Dave Harris (from the band Fashion). The pair had been introduced by a mutual friend, saxophonist Raphael Ravenscroft. They signed a record deal with EMI Records and released only one album, Identity, which was a commercial and critical flop. Wright later referred to Zee as “an experiment best forgotten”.
Waters considered suing Wright, but ultimately decided it would be easier for Wright to leave the band at the end of the project. As the band was in financial trouble at the time, Wright agreed. Waters, Gilmour, producer Bob Ezrin, composer Michael Kamen and session player Fred Mandel also played keyboard parts on The Wall. Wright generally went into the studio late at night when the other band members were not there. He was retained as a salaried session musician during 1980–81 concerts to promote the album, and ironically became the only member of Pink Floyd to profit from the initial run of shows, since the net financial loss had to be borne by the remaining “full-time” members. Wright did not attend the 1982 premiere of the film of Pink Floyd—The Wall. In 1983, Pink Floyd released The Final Cut, the only album from the band on which Wright does not appear. His absence from the album credits was the first time fans realised he had left the group, which was officially confirmed some years later.
Wright recorded his first solo album, Wet Dream, in early 1978 in Super Bear Studios, France, which featured Floyd touring guitarist Snowy White and former King Crimson saxophonist Mel Collins. The album was released in September to minimal commercial success.
Following Barrett’s replacement by David Gilmour, Wright took over writing duties with Waters, but gradually became less involved as a songwriter as the band’s career progressed. His keyboard playing remained an integral part of the band’s live set, particularly on “Interstellar Overdrive”, “Set the Controls for the Heart of the Sun” and “Careful with That Axe, Eugene”. He contributed themes for Pink Floyd’s film scores for More, Zabriskie Point and Obscured by Clouds. He made significant arranging contributions to longer compositions such as “Atom Heart Mother”, “Echoes” (on which he sang lead vocals with Gilmour) and “Shine On You Crazy Diamond”. On 1973’s The Dark Side of the Moon he composed the music for “The Great Gig in the Sky” and “Us and Them”. He also contributed to the composition of other album tracks such as “Breathe” and “Time”, singing lead on the latter’s bridge.
Initially contributing more as a singer/songwriter, Wright later acted mainly as an arranger on compositions by Waters and Gilmour. He began to contribute less towards the end of the 1970s and left the band after touring The Wall in 1981. He rejoined as a session player in 1987 for A Momentary Lapse of Reason, and rejoined full-time for The Division Bell in 1994. Sessions with Wright during this period were later released on the 2014 album The Endless River. Away from Pink Floyd, Wright recorded two solo albums and was briefly active in the pop duo Zee with Dave Harris of Fashion. Following Pink Floyd’s Live 8 appearance in 2005, he became part of Gilmour’s touring band, singing occasional lead vocals on songs such as “Arnold Layne”, before his death in September 2008.
Wright’s contributions to the band diminished in the late 1970s (as Waters began to dominate the writing process), and 1977’s Animals was the first album where Wright did not receive any songwriting credits. By the time the group recorded The Wall in 1979, Waters had become frustrated that Wright was not contributing, yet still claiming an equal share of production royalties. Wright refused to catch up on the recording backlog as his first marriage had deteriorated and he had not seen enough of his children, deciding family was more important to him. “Both myself and Dave… had little to offer, through laziness or whatever,” he admitted. “Looking back, although I didn’t realise it, I was depressed.”
In the 1970s, Wright listened to some contemporary progressive rock bands, and particularly liked early Peter Gabriel-fronted Genesis. He later asked some of the musicians in Gabriel’s solo touring band to play on Broken China. Wright enjoyed playing the organ, and considered the style he used in Pink Floyd to be unique. He played solos in the early part of Floyd’s career, frequently using Egyptian scales, such as on “Matilda Mother” or “Set the Controls for the Heart of the Sun”. His jazz background led to him being interested in free form music, with adherence to tempo being less important. Later, he was more interested in complementing each piece with organ, electric piano or synthesiser as a backing instrument, while still featuring occasional solos.
In the 1970s, Wright began using synthesisers such as the VCS 3, ARP String Ensemble and Minimoog, which were featured on “Shine on You Crazy Diamond”. Wright wrote the closing part of the track alone, and included a brief extract of the band’s early single “See Emily Play” on the Minimoog towards the end. He used a number of electric pianos during the 1970s, including a Wurlitzer fed through a wah-wah pedal on “Money” and an unaccompanied Rhodes introduction for “Sheep” on Animals.
Wright played the piano and Hammond organ in the studio from the start of Pink Floyd’s recording career; using the Hammond’s bass pedals for the closing section of “A Saucerful of Secrets”. He used a Mellotron in the studio for some tracks, including Ummagumma’s “Sysyphus” and on the “Atom Heart Mother” suite. For a brief period in 1969, Wright played vibraphone on several of the band’s songs and in some live shows, and reintroduced the trombone on “Biding My Time”. He started using a Hammond organ regularly on stage alongside the Farfisa around 1970 and a grand piano became part of his usual live concert setup when “Echoes” was added to Pink Floyd’s regular set list. All three keyboards are used in the concert film Pink Floyd: Live at Pompeii.
Wright’s jazz influences and distinctive keyboard playing were an important part of the Pink Floyd sound. As well as playing Farfisa and Hammond organs and Kurzweil synthesisers, he sang regularly in the band and took lead vocals on songs such as “Remember a Day” (1968), “Time” (1973) and “Wearing the Inside Out” (1994).
While not credited for vocals on The Piper at the Gates of Dawn album sleeve, Wright sang lead vocals on Barrett-penned songs “Astronomy Domine” and “Matilda Mother”. Examples of his early compositions include “Remember a Day”, “See-Saw”, “Paint Box” and “It Would Be So Nice”. Wright was close friends with Barrett, and at one point the pair shared a flat in Richmond. After Barrett was forced out of the group in 1968 owing to mental health issues, Wright considered leaving and forming a group with him, but realised it would not have been practical.
Wright grew up in Hatch End, Middlesex and met future Pink Floyd bandmates Roger Waters and Nick Mason while studying architecture at the Regent Street Polytechnic, London. After being joined by frontman and songwriter Syd Barrett, the group found commercial success in 1967. Barrett was replaced by David Gilmour in 1968, who, along with Waters and Wright, took over songwriting.
Pink Floyd stabilised with Barrett, Waters, Mason and Wright by mid-1965, and after frequent gigging that year became regulars on the underground circuit in London. While Barrett was the dominant member, writing and singing most of the songs, Wright had an important supporting role, playing keyboards and singing harmony vocals, and contributing arrangements as well. He also occasionally wrote (and sang lead) on his own songs. As the most qualified musician technically, Wright was also responsible for tuning Barrett’s guitars and Waters’ bass during concerts. Later on, he used a Strobotuner to tune guitars silently during gigs. In these early days, before they acquired a full-time road crew, Wright acted as the primary roadie, unloading the gear and packing it up at each gig.
Wright’s position in the band was tenuous to begin with, as he did not choose a definitive instrument, playing piano if a pub had one, otherwise settling on rhythm guitar or trombone. He moved with Waters and Mason into a house in Stanhope Gardens, Highgate, and they began serious rehearsals to become a professional group. Although Mason and Waters were competent students, Wright found architecture of little interest and after only a year of study moved to the London College of Music. He took a break from studies and travelled to Greece for a sabbatical. Their landlord, Mike Leonard, purchased a Farfisa electric organ and briefly replaced Wright in the band. However, this organ ultimately became Wright’s main instrument. Through a friend, he arranged the fledgling group’s first recording session in a West Hampstead studio, just before Christmas 1964. Guitarist Bob Klose and guitarist and singer Syd Barrett joined the band, which became Pink Floyd.
Wright performed less work outside Pink Floyd than the other members. His first released song, You’re the Reason Why, appeared in 1964 on Decca as the B-side of a single by Adam, Mike and Tim. Along with Gilmour, he played on Barrett’s second solo album, Barrett (1970), and helped with its production. He later recalled working on the album as a way of helping Barrett in any way possible. He guested at a concert by Sutherland Brothers & Quiver in 1974 at Newcastle Polytechnic.
Wright married his first wife, Juliette Gale, in 1964. She had been a singer in one of the early bands that evolved into Pink Floyd. They had two children and divorced in 1982. His second marriage to Franka lasted between 1984 and 1994. Wright married his third wife Mildred “Millie” Hobbs in 1995, with whom he had a son, Ben. Wright’s 1996 solo album Broken China is about her battle with depression. They separated in 2007. Wright’s daughter Gala was married to Floyd and Gilmour touring bassist Guy Pratt.
Wright had been fond of the Greek islands since a sabbatical visit in 1964, before Pink Floyd formed. He moved to Greece in 1984 after the Zee project, briefly retiring from music, and enjoyed sailing and yachting. In his later years, Wright lived in Le Rouret, France, and spent time on a yacht he owned in the Virgin Islands. He found sailing therapeutic, relieving him from the pressures of the music business. He was also a collector of Persian rugs.
Wright, whose father was head biochemist at Unigate, grew up in Hatch End, Middlesex, and was educated at the Haberdashers’ Aske’s School. He taught himself to play guitar, trombone, trumpet and piano at age 12 while recuperating from a broken leg. His mother encouraged him to concentrate on the piano. He took private lessons in music theory and composition at the Eric Gilder School of Music and became influenced by the trad jazz revival, learning the saxophone along with his other instruments, but continuing to focus on piano. In 1962, uncertain about his future, Wright enrolled at Regent Street Polytechnic (later incorporated into University of Westminster) to study architecture. There he met fellow musicians Roger Waters and Nick Mason, and all three joined a band formed by their classmate Clive Metcalf called Sigma 6.
In the early days of the band, Wright dabbled with brass before settling on Farfisa electric organs as his main instrument onstage. He originally owned a single-manual Combo Compact model, which was used for early recordings of “Interstellar Overdrive”, and later upgraded to a dual-manual Compact Duo. During the 1960s, Wright relied heavily on his Farfisa fed through a Binson Echorec platter echo, as heard on the Ummagumma live album. On later tours, the instrument was fed through a joystick control allowing the signal to be sent through up to six speakers in an auditorium, which was called the “Azimuth Coordinator”. Wright stopped using the Farfisa after The Dark Side of the Moon, but revisited it in later years, playing it on Gilmour’s On An Island tour. It was recorded for the sessions that eventually became The Endless River.
Richard William Wright (28 July 1943 – 15 September 2008) was an English musician who was a co-founder of the progressive rock band Pink Floyd. He played keyboards and sang, appearing on almost every Pink Floyd album and performing on all their tours. He was inducted into the Rock and Roll Hall of Fame in 1996 as a member of Pink Floyd.